Member Reviews

A few years ago, there was an uproar over a scene of sustained violence in director Kathryn Bigelow’s Detroit, a period crime drama about a real-life incident that led to the deaths of three young men. The controversial scene unfolded across several uncomfortable minutes, and showed a group of white police officers beat down a lineup of innocent Black men. Bigelow didn’t avert her eyes from the horror, and instead, caught the audience by the scruff of the neck and made them watch. The film’s examination of ingrained racism, police brutality, and the systemic oppression of minorities drew parallels to modern-day America, but it also divided audiences. Director Sandhya Suri’s Santosh, which was screened at the recent Dharamshala International Film Festival, unpacks similar themes, but in the context of contemporary north India. Like Detroit, it pivots on a scene of unrelenting brutality that transforms it from a standard police procedural into something more haunting.

Based on the novels of Hugh Howey, the world of Silo easily captivated sci-fi fans when it first premiered in May 2023. The dystopian drama is set in a future where thousands of people have isolated themselves in a giant underground silo to protect themselves from the outside. But what exactly is outside? The gripping new season, led by Rebecca Ferguson, finally takes us beyond the silo we’ve known for the first season.

One of the most painful and fraught chapters of India’s history is brought to life in the SonyLIV series Freedom at Midnight, created by Nikkhil Advani. With a large ensemble cast of Indian and foreign actors, the series moves forwards and backwards in time to depict what went through the minds of India’s political leaders as they bargained and argued with the British empire for their freedom. Through the seven episodes, the threat of partition looms large, and the tense finale brings with it a melancholic feeling that lingers.

The first season of Bad Sisters was adapted from the Belgian show Clan, which only ran for one season. The second season, which begins on November 13, takes the story of five close-knit sisters in a whole new direction. Set in Dublin, writer and actress Sharon Hogan brings the black comedy and forges the show ahead in a surprising and moving direction. Bad Sisters retains the shocking surprises, awkward moments, and dark humour that the first season was known for.

The sports film Vijay 69, starring Anupam Kher, is about a sexagenarian who realises that he’s not achieved much in his life. He decides to become the oldest man to run a triathlon in India, trying to prove all the naysayers wrong. Anupam Kher ably steps to play the cranky senior citizen who finds new meaning with this ambitious goal. While filmmaker Akshay Roy’s is well-meaning and inspiring, it is a bit meandering in its storytelling that veers from full comedy to drama often.

Citadel: Honey Bunny is the third series in the Citadel universe. Arriving on the heels of the Italian series Citadel: Diana, the Indian version is a prequel story that links into the main Amazon Prime Video series. Developed by Sita Menon and directed by Raj Nidimoru and Krishna DK (Raj & DK), Citadel: Honey Bunny has a sluggish start introducing the characters and the Indian connection. However, over six episodes, the series builds on the characters’ connections for a solid finish.

The second season of The Diplomat returns with more urgency as the US ambassador to UK, Kate Wyler, tries to uncover who is behind two terrorists attacks on British targets. The political drama is led by the excellent Keri Russell who navigates the exciting twists and turns along with the audience. Debora Cahn’s The Diplomat gives viewers a front seat to an unfolding international crisis, where the stakes have never been higher.

If you’ve wondered what happened to the Russos of Waverly Place, Disney’s latest series Wizards Beyond Waverly Place gives you an update on the family. The new sequel and spinoff rolled into one is more focused on Justin Russo (David Henrie), who returns to his old life in magic, thanks to a new student, a young wizard named Billie (Janice LeAnn Brown). Aimed at a young new generation, Wizards Beyond Waverly Place is a nostalgic watch that fans of the old series can now introduce to their own children.

Documentarian Sandhya Suri’s feature debut, Santosh, revolves around a widow who is trying to find her feet after her husband’s untimely death. The simple narrative evolves into a more complex police procedural that will leave you unsettled by the end of it. Starring Shahana Goswami and Sunita Rajwar, Santosh had its world premiere in the Un Certain Regard section at the Cannes Film Festival this year. It is also the UK’s official Oscar entry for Best International Feature for 2025.

Kanguva is a flaming mess. The “pan-India” bug is upon actor Suriya, the film’s producers and Siva, and they don’t have a clear strategy to achieve it. There are no ideas here, just loglines. There is no writing here, just random deaths and fight sequences. There is no story here, just events. This is taking “event film” much too literally. Even if you are ready to forgive all that, there is no actual filmmaking here; just a bunch of shots strung together with no coherence or cohesion. During the film’s promotions, much was made of the makers’ respect for SS Rajamouli. After all, he is the progenitor of this pan-India bug that spares none. But no one in the Kanguva camp stopped for a minute, sat down and thought hard about what makes Rajamouli. What makes his cinema, cinema. Kanguva is not cinema.