Member Reviews

In the world of Indian web series, the Hindi show Panchayat managed to earn one of the top spots. This year, the third season of Panchayat was released and opened to positive reviews. Now, Panchayat has come to Tamil as Thalaivettiyaan Paalayam. Directed by Naga, the show is a light-hearted entertainer, with simplicity as its greatest asset. Siddharth (Abishek Kumar) is a city-bred youngster who has been posted as the panchayat secretary in Tirunelveli’s Thalaivettiyaan Paalayam. The village still lives in the past with no tinge of modernism or westernisation. Meenakshi Devi (Devadarshini) is the panchayat’s chairperson. But, for some reason, she is stuck to doing household chores while her husband, Meenakshi Sundaram, carries out the chairperson’s responsibilities.

Ajayante Randam Moshanam aka ARM features Malayalam actor Tovino Thomas in triple roles. Directed by Jithin Laal and written by Sujith Nambiar, the film generated significant interest through its posters and trailer. But has ARM lived up to everyone’s expectations? Let’s find out! The story begins with Kunji Kelu (Tovino Thomas), an exceptional warrior, whois granted the opportunity to request for a special gift from the king. He asks for a deity crafted from a unique rock that fell from a meteorite and struck their village, Haripuram. The story then shifts to Maniyan (Tovino Thomas), a clever thief who is accused of stealing the deity.

‘The Greatest of All Time’ aka ‘GOAT’ is Thalapathy Vijay’s penultimate film before he fully commits to politics. Tracing his career, one would truly understand why ‘GOAT’ is probably the perfect title for Vijay. Director Venkat Prabhu’s spy thriller further establishes Thalapathy Vijay as truly ’the greatest of all time’. Gandhi (Vijay), along with Sunil (Prashanth), Kalyan (Prabhudheva) and Ajay (Ajmal Ameer), forms the Special Anti-Terrorism Squad (SATS), led by Nasser (Jayaram). A fun and efficient team, they get the job done without much hassle. However, when Gandhi takes his pregnant wife (Sneha) and son Jeevan on a mission to Thailand, he faces a tragic loss, prompting him to seek a less risky job.

Watching a neatly woven commercial cinema is therapeutic in every sense. And when it is headlined by powerhouse performers, Nani and SJ Suryah, you know you’re in for a treat. ‘Saripodhaa Sanivaaram’ marks Nani and director Vivek Athreya’s second collaboration after ‘Ante Sundaraniki’. While ‘Ante Sundariniki’ was a cute rom-com, Nani and Vivek went all out for ‘Saripodhaa Sanivaaram’ by picking a masala entertainer with a family backdrop. Surya (Nani) is a loved elder child to his parents (Abhirami and Sai Kumar). But, his anger is his problem. His mother, who is counting her days, teaches him a unique way to keep his anger in check and let it out only on Saturdays. Surya makes note of people who wronged him on the rest of the days and gets time to process his anger till Saturday. And when he feels his anger is justified, he thrashes the people who angered him.

Early in Minmini, inside a school during a chilly evening at Ooty, a candle goes off. A student offers to light it up with his candle. “When one candle lights up another, there’s no loss,” someone remarks.

After their daughter died in a car crash, advocate PK Basu (Saswata Chatterjee) and his wife Rani (Ananya Chatterjee) go to North Bengal to recover from their grief. They visit their family friends Sujata (Ayoshi Talukdar) and Kaushik (Somraj Maity) who open a homestay there. A series of murders take place in Kolkata and North Bengal. As a number of characters get stranded in the homestay, PK Basu catches the culprit.

Director Mari Selvaraj, on several occasions, called ‘Vaazhai’ his best film. He stated that it was the film he wanted to make first, before ‘Pariyerum Perumal’, ‘Karnan’ and ‘Maamannan’. ‘Vaazhai’ is a biographical film that explores a significant incident that changed Mari’s life. Mari is absolutely right, as ‘Vaazhai’ is his career-best film and a perfect answer to the trolls that targeted him. Sivanaindhan (Ponvel), with his charismatic and innocent smile, lives with his mother (Janaki) and elder sister Vembu (Dhivya Duraisamy). Sivanaindhan juggles between school and working at a banana plantation over weekends to make ends meet. He excels at school, consistently achieving first rank, but he does not enjoy working at the plantation for obvious reasons. The strenuous labour and the way he’s ripped off of his childish joys take a toll on him. But, Sivanaindhan understands.

Director PS Vinothraj announced his arrival in Tamil cinema with ‘Koozhangal’, a film which won the coveted Tiger Award at the 50th International Film Festival Rotterdam. His second film, ‘Kottukkaali’, brings together Anna Ben and Soori for the first time and has already garnered appreciation in the international market. Now, Kottukkaali is set to make its mark in the Indian market. Meena (Anna Ben) is confined to her home, with everyone around her speaking in hushed tones. She refuses to speak and appears distressed. Her relatives claim that she is possessed by a spirit. Meena, her mother, her fiance Pandi (Soori), and others embark on a journey to a temple to ward off the evil.

Vedaa is not a film about boxing, though its trailer seemed to suggest that. Director Nikkhil Advani’s film has a bit of boxing, of course, but its plot’s real drivers are caste and caste atrocities. However, Vedaa, starring John Abraham and Sharvari Wagh in the lead, is not a film about caste either. Vedaa is an action-thriller created to embellish and enhance the legend of John Abraham. In this enterprise, boxing is a tiny diversion and caste plays the same part that Islamic terrorism has often played in previous John Abraham-the-one-man-killer-machine films—It’s very bad and it must be annihilated. But since Vedaa is a Nikkhil Advani film, it’s politically sharp, gritty and mildly feminist. Written by Aseem Arora, Vedaa is set in Rajasthan, but its story really begins in Kashmir. Yep, that same-old scenic battleground Abraham keeps visiting, repeatedly, to save the nation from the Phiran-wearing, machine gun-carrying Islamic terrorists.

Director Pa Ranjith is one filmmaker with a powerful voice in Tamil cinema. Whether one agrees or not, his voice is significant and cannot be ignored. When he announced his collaboration with actor Chiyaan Vikram in 2021, it excited many. And the excitement grew multifold over the years and became one of the most anticipated films of 2024. Did ‘Thangalaan’ manage to fulfil the expectations? Let’s find out! Thangalaan (Chiyaan Vikram), Gangamma (Parvathy Thiruvothu) and their five children live in North Arcot where they rely on agriculture. However, their land is grabbed by the upper-class landlord using deceitful tactics. In the 1800s, Lord Clement, a British General, expressed his desire to trace gold near their village. However, a local myth claims that the sorceress Aarathi (Malavika Mohanan), guards the area. Thangalaan and the rest of the villagers believe in the myth.