Member Reviews

One of my pet peeves features Hindi cinema’s toxic relationship with technology. You know how, in the middle of a public event, every single cellphone in the hall simultaneously beeps with a headline alert because the famous person it’s about is also present? Everyone turns to dramatically look at this unfortunate person; whispers and gossipy glances hijack the scene. This is how news spreads in such stories. It can be at a press conference, a panel discussion, even at a party. In Mithya: The Darker Chapter, it’s at a business auction that comes to a standstill. My questions are simple. How is it that nobody’s phone is on vibrate mode? Why are the shock and awe so coordinated? Why is it that no other message or app on the phone has a pop-up sound? The closest I’ve experienced as a real-world viewer is when, during a press screening of Super 30 (2019), most journalists in the hall audibly gasped when Dhoni got run out in that World Cup semifinal.

Comebacks are always interesting, especially when an actor is willing to look back and understand what went wrong in the first place. After a series of misfires, a resurgent Kiran Abbavaram is back with a festive release, mysteriously titled KA, that invests in a solid story over the heroics of the male protagonist. The period thriller offers a rich blend of action and emotions with a karmic twist.

Gentleman cadet Mukund Varadarajan is marching along with his batchmates during his passing out parade. During this march, an animated Indhu Rebecca Varghese shouts out the name of the love of her life. She also runs around to catch a glimpse of Mukund, who is one among the soldiers passing out. GV Prakash Kumar’s rousing score primes the scene for a romantic high. She is jubilant, happy, ecstatic, and sports a smile that reaches her eyes as Mukund marches with a straight face.

Amaran is based on the life of Major Mukund Varadarajan, who died during an anti-terror operation in Jammu and Kashmir in 2014. Biopics like this come with a unique challenge: since audiences already know the outcome, there’s little room for surprises. Directors often leverage the emotional depth of such stories to create resonance, sometimes stirring complex emotions or evoking our deepest fears. Filmmaker Rajkumar Periasamy, as expected, focuses on these emotional elements, ultimately leaving the audience with a deeper understanding of the human conflict hidden beneath layers of turmoil.

While promoting his latest movie, Lucky Baskhar, director Venky Atluri claimed that one of his biggest strengths is his talent in screenwriting. However, those closely following his filmography would tell you that his ability to assemble a stellar cast is his greatest asset. He once again showcases this strength with Lucky Baskhar.

Legendary American poet Maya Angelou once wrote, “When great trees fall in forests, small things recoil into silence…” Dulquer Salmaan’s latest film Lucky Baskhar is about one such small thing that decided to brave its fears, and find a way to survive when the tree of the great banking scam of the 90s fell. Of course, we have seen multiple iterations of this story through series like Scam 1992 and films like The Big Bull. But what Venky Atluri does in Lucky Baskhar is that he isn’t telling the story that everyone is focused on. He conjures up a story of a man who is caught in the crosshairs and decides to do something about it. Now, it is fictional, but it could have been true. And it is this thin line between fiction and reality that truly makes Lucky Baskhar a terrific watch.

A gleefully grotesque satire of success, director Coralie Fargeat’s English-language debut, The Substance, lives up to its title. But it has plenty of style to spare as well. Demi Moore stars as Elizabeth Sparkle, a fading actress who, in a moment of great weakness, decides to sample an underground drug that purportedly reverses the ageing process. But she quickly discovers that she has bitten off more than she can chew. The Substance is to Moore’s career what Birdman was to Michael Keaton’s, or The Wrestler was to Mickey Rourke’s, a movie that sheds its superficial obsession with superficiality and transforms into a whole new beast towards the end. It’s the kind of film that requires courage from everybody involved, including the caterers who were presumably tasked with preparing a menu that wouldn’t end up on the shooting floor everyday. It would be remarkable if nobody threw up while making this movie, because every moment of its incredible final act positively challenges you to keep your lunch in your stomach. But before Fargeat unleashes her final flourish, she sets up an increasingly absurd universe for Elizabeth to navigate.

Benjamin Ree’s The Remarkable Life of Ibelin starts off as a documentary about death. We see the tombstone of Mats Steen, a Norwegian boy whose body and soul were at war. A mix of VHS footage and family interviews then reveals that Mats had duchenne muscular dystrophy (DMD), a degenerative disease that reduced his 25 years to a hellish survival story. His mind yearned for the momentum his muscles never had. Subsequent clips show his body shrinking on landmarks and vacations, the end inching closer.

Films with a military background, most times, evoke strong feelings in one’s heart. Not just that, it’s a constant reminder that the army men are toiling in difficult terrain just to keep everyone safe. And when Amaran, a biopic on the life of Major Mukund Varadarajan, was announced, it piqued everyone’s interest. The expectations rose sky-high when Sivakarthikeyan, who has so far done boy-next-door roles, was roped in to headline the film. For the unversed, Amaran is an adaptation of the book series, India’s Most Fearless: True Stories of Modern Military Heroes by Shiv Aroor and Rahul Singh. Mukund Varadarajan (Sivakarthikeyan) has his goals set right from fifth standard. A field trip to the Officers Training Academy (OTA) in Chennai sowed the seeds of joining the military in him. Years later, while pursuing his graduation at Madras Christian College, he meets his ladylove Indhu Rebecca Varghese (Sai Pallavi). They fall head over heels in love with each other. For Indhu, she has to love Mukund and his passion as well.

Fortune favours the brave – this is a slogan that aptly encapsulates what Lucky Baskhar is. Director Venky Atluri’s latest outing, far different from his previous offerings, is this year’s Diwali gift to the audience. Lucky Baskhar is a film about how a middle-class man, who aims for the sky, gets derailed due to greed, but is clever enough to pull him out of the mess. Sounds interesting, doesn’t it? Baskhar (Dulquer Salmaan) is a cashier in Magadha Bank. He is the sole breadwinner of his family, which consists of his wife Sumathi (Meenakshi Chaudhary), son Karthik (Rithvik), his ailing dad, brother and sister. They’re on the edge of poverty and debts strangle him. At that time, Anthony (Ramki), a man who wants a loan from Baskhar’s bank, comes up with an offer that he can’t refuse due to his familial circumstances.