Member Reviews
No good movie is too long and no bad movie is short enough. Your intellect may be confused, but your emotions will never lie to you.
You can also browse reviews using our alphabetical index of films reviewed
Films reviewed on this Page
Singham Again (2)
Amaran (5)
Bloody Beggar (1)
Mithya: The Darker Chapter (1)
Ka (1)
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Singham Again
Keyur Seta
(for his Blog)
Bollywood Hungama
Time-pass family action film despite some hiccups
Rohit Shetty’s cop sagas started with the brilliant Singham (2011). It was obvious for him to bring out a sequel to it. But Singham Returns (2014) turned out to be just an average fare. His latest and third outing in the series, Singham Again, is better than the 2014 film. Hence, it keeps alive his Cop Universe, which also contains the enjoyable Simmba (2018) and Sooryavanshi (2021).
Read all 12 reviews of Singham Again here
Amaran
Kirubhakar Purushothaman
News 18
Sai Pallavi And Sivakarthikeyan’s Film Is A Brilliant, No-Nonsense Ode To A Soldier
Rajkumar Periasamy needs a huge salute for making a subtle but incredibly touching ode to a soldier
Towards the third act of Amaran, Major Mukund (Sivakarthikeyan)’s father asks him, “Why is Kashmir always in trouble?" This is a crucial moment, though it is shot with a matter-of-fact tone — reflecting the overall style of the movie. It is significant because it is the only time we gain insight into Mukund’s opinion about the politics behind the bloodshed and violence in one of the most volatile regions of the country. It’s essential to understand what a soldier thinks about the politics that have placed him in a situation where his own life is at risk.
Read all 6 reviews of Amaran here
Amaran
Sudhir Srinivasan
The New Indian Express
An emotional triumph, but some questions linger
Love and loyalty shine in this film, even if the conflict feels simplified
The situation isn’t entirely new for a Tamil film: a Tamil man, Mukund (Sivakarthikeyan), enters a Malayali household to seek the hand of their daughter, Indhu (Sai Pallavi). In Tamil cinema lore, such scenes often signal trouble. In Autograph, Cheran’s character faces a quick rejection, a violent ejection. In Vinnaithaandi Varuvaayaa, Simbu’s character meets a similar fate. But in Amaran, the hero cannot be quickly insulted or rejected, for Mukund arrives cloaked in the authority of an army uniform, a symbol that tempers resistance with respect. Where once Indhu’s father opposed the relationship, now he’s disarmed by the unspoken reverence for a man in uniform. This scene is restrained, absent of cinematic exaggeration; instead, director Rajkumar Periasamy allows these moments to revel in soft, unspoken gestures, where relationships get organically forged.
Read all 6 reviews of Amaran here
Bloody Beggar
Kirubhakar Purushothaman
News 18
Despite Its Flaws, Kavin's Performance And Supporting Cast Stand Out
Kavin’s riveting performance and well-cast ensemble redeem this dark satire on class and ambition.
Bloody Beggar, directed by Sivabalan Muthukumar, is another bold choice by lead actor Kavin. However, it doesn’t fully deliver on its promising premise and ends up falling short in several aspects. At its core, the film struggles to find a consistent tone. It aims to be both a biting dark satire on the bourgeoisie and an emotional drama about the downtrodden, but it achieves more success with the former than the latter. The satire works to an extent, presenting exaggerated caricatures of villains who are repulsive enough to justify the violence directed at them. This offers moments of catharsis and even a few laughs at their expense. However, the emotional core surrounding the nameless beggar’s tragic past feels underdeveloped and fails to resonate in the cold, dark world of the film. Additionally, much of the humour, despite evident effort in the writing, doesn’t land as intended, making Bloody Beggar fall short of its full potential.
Amaran
Vishal Menon
The Hollywood Reporter India
An Earnest Sivakarthikeyan, Stellar Battle Sequences, Middling Drama
The film is sustained by the power of its source material and its inspirational hero, rather than its filmmaking.
In one of the many interesting segues in Rajkumar Periasamy’s Amaran, an officer talks to Major Mukund Varadarajan (an earnest Sivakarthikeyan) about the Kashimir women these officers refer to as “half widows”, stuck in perennial conflict as they wait for their husbands to return, unsure if they’re still alive. This is explained in a rush, as though someone is reading aloud a Wikipedia entry, but one can still make a connection between these women and the film’s narrator,
Read all 6 reviews of Amaran here
Amaran
Gopinath Rajendran
The Hindu
Sivakarthikeyan and Sai Pallavi march into our hearts with this soul-stirring action film
A pacy screenplay, marvellous performances and excellent technical prowess make ‘Amaran’ a brilliant ode to the resilient families who love their braveheartsamaran-3
“When the guns roar, the arts die,” said celebrated playwright Arthur Miller. Many art masterpieces have been swallowed up by wars but art, like the ever-forgiving land that has caused countless battles, has withstood it all. It has been the blank canvas to paint everything from propaganda films to anti-war movies. While many of them resort to skewed agendas, director Rajkumar Periasamy takes the road less travelled with Amaran, and along with producer Kamal Haasan and powerhouse performances from Sivakarthikeyan and Sai Pallavi, the filmmaker delivers an evocative biopic of Major Mukund Varadarajan.
Read all 6 reviews of Amaran here
Mithya: The Darker Chapter
Rahul Desai
The Hollywood Reporter India
How much Mithya is too much Mithya?
The second season of Mithya continues to be a celebration of mediocrity.
One of my pet peeves features Hindi cinema’s toxic relationship with technology. You know how, in the middle of a public event, every single cellphone in the hall simultaneously beeps with a headline alert because the famous person it’s about is also present? Everyone turns to dramatically look at this unfortunate person; whispers and gossipy glances hijack the scene. This is how news spreads in such stories. It can be at a press conference, a panel discussion, even at a party. In Mithya: The Darker Chapter, it’s at a business auction that comes to a standstill. My questions are simple. How is it that nobody’s phone is on vibrate mode? Why are the shock and awe so coordinated? Why is it that no other message or app on the phone has a pop-up sound? The closest I’ve experienced as a real-world viewer is when, during a press screening of Super 30 (2019), most journalists in the hall audibly gasped when Dhoni got run out in that World Cup semifinal.
Read all 2 reviews of Mithya: The Darker Chapter here
Ka
Srivathsan Nadadhur
South First, Friday Wall
Kiran Abbavaram’s ‘karmic’ thriller packs a handful of surprises
Overcoming a fluttering second hour, Kiran Abbavaram’s Telugu film ‘KA’ concludes on a high
Comebacks are always interesting, especially when an actor is willing to look back and understand what went wrong in the first place. After a series of misfires, a resurgent Kiran Abbavaram is back with a festive release, mysteriously titled KA, that invests in a solid story over the heroics of the male protagonist. The period thriller offers a rich blend of action and emotions with a karmic twist.
Amaran
Avinash Ramachandran
Avinash Ramachandran Talkies
Sai Pallavi, Sivakarthikeyan stand tall in this tale of timeless love
With wonderful performances by Sivakarthikeyan and Sai Pallavi, Amaran is a poignant yet powerful tale about Major Mukund Varadarajan's love for India, and his wife Indhu.
Gentleman cadet Mukund Varadarajan is marching along with his batchmates during his passing out parade. During this march, an animated Indhu Rebecca Varghese shouts out the name of the love of her life. She also runs around to catch a glimpse of Mukund, who is one among the soldiers passing out. GV Prakash Kumar’s rousing score primes the scene for a romantic high. She is jubilant, happy, ecstatic, and sports a smile that reaches her eyes as Mukund marches with a straight face.