Member Reviews

Director Muhammed Musthafa made his debut in the critically acclaimed Malayalam film, Kappela. The film, which is streaming on Netflix, stood out in terms of filmmaking and social message. After four years, he is now back with an action entertainer, Mura, which features Suraj Venjaramoodu and All We Can Imagine As Light-fame, Hridhu Haroon. Let’s see how the film has turned out. Local gangster Ani (Suraj Venjaramoodu) is the right hand of tough businesswoman Rema (Maala Parvathi), who entrusts him with many illegal activities. Ani, who is in touch with many rowdy gangs in the locality, reaches out to Anandhu (Hridhu Haroon) and Saji’s gang about a high-profile robbery. Anandhu, Saji, Manu and Manaf are young guns who grew up together, and know how to escape a crime scene.

It hits the ground running all right but the mission of sustaining the momentum is an abject failure. Much of what Citadel: Honey Bunny attempts to do proves way too much for a script that, even at its best, can only laboriously inch its way forward - and backwards. Citadel: Honey Bunny is an Indian spinoff of Amazon Prime Video’s Citadel Spyverse that was birthed last year in an espionage thriller series fronted by Priyanka Chopra and Richard Madden and executive produced by the Russo brothers. While it has its share of action, it runs low on intrigue and suspense.

Is there something called an overdose of spyverse? If there is, I am one of the first victims of it. Too many spyverses are in play in pop culture and quite honestly none offer anything new. In Prime Video’s latest series Citadel: Honey Bunny – an Indian prequel to Russo Brothers’ Citadel featuring Priyanka Chopra – the action sequences are in plenty and almost relentless yet seem repetitive. Raj & DK have spoiled us with The Family Man, a sharp series where wit and action were quick on their heels. In Citadel: Honey Bunny – the lead pair Samantha Ruth Prabhu and Varun Dhawan give their all to the action sequences and perform some awe-inspiring stunts, yet the series lacks the thrills. Mostly.

First things first: all hail the arrival of Samantha Ruth Prabhu, Indian cinema’s first real female action star who demands our attention from the get-go and never loses it through the six part series, Citadel: Honey Bunny. She’s coiled, ready for action, exploding off the screen whenever the script demands it of her, and the demand stays consistently high. As the family woman-cum-spry spy, who will do anything to protect her daughter, Samantha’s Honey is the best part of this enterprise, directed and written by Raj and DK (Sita Menon also gets writing and directing credit), and executive produced by the Russo Bros.

Citadel: Honey Bunny is a catchy title. In fact, you can almost hear it. “Honey Bunny” instantly evokes the viral Idea Cellular ad jingle from 2012: you’re my pumpkin pumpkin/hello honey bunny. But there’s more to the earworm than a Pulp Fiction tribute or a term of endearment. The commercial itself showed a traveler infecting different parts of the country with a tune; the cutesy lyrics, too, felt like the collective sound of couples staying connected across regions. It’s not a stretch to suggest that Citadel: Honey Bunny — whose pan-world premise features a pan-Indian adventure of a couple named Honey (Samantha Ruth Prabhu) and Bunny (Varun Dhawan) — is a long-form descendent of the jingle. It’s totally on brand for director duo Raj & DK, who thrive on affectionate pop-cultural nods, cinephilia and retro references.

A man, holding a gun, chases a woman through the nooks and crannies of Belgrade. Finding himself in a cul-de-sac of sorts, he sees her pointing a gun back at him. “Put your gun down,” she barks at him. He, a seasoned special agent, lets go of his gun and promptly gets shot. The law of probability points to the fact that if he had held on to the gun, there would be a 50 per cent chance of him being shot and a 50 per cent chance of him being able to shoot the woman in front of him. When he drops the gun, for no explainable reason, he makes that probability convert to a 100 per cent chance against him.

Influenced by every zombie thriller ever made, but more specifically, by the video game series The Last of Us, Prime Video’s Apocalypse Z: The Beginning of the End is a competently crafted thriller let down by a lack of ambition. The Spanish-language film unfolds across a year in the life of a grieving man named Manel, who is caught by himself in the middle of a zombie apocalypse. Manel is heartbroken over the death of his wife in a car crash not too long ago — the movie opens with this tragic scene — and is hanging on by a thread when the fast-spreading virus breaks out. Having survived the pandemic, everybody assumes that they can handle this outbreak as well. But they have no idea just how terrifying things are going to get. Initially, Manel decides to stay put at home and ignore the government’s instructions to participate in a military-aided evacuation. But after a couple of months in isolation, he has no choice but to make a move. Manel’s sister left with her family for the Canary Islands just as the outbreak got out of control, and even though he lost all contact with them a while ago, he decides that the smartest thing to do would be to make his way to them. Apocalypse Z is divided into chapters; not literally, like a Quentin Tarantino movie, but more structurally.

Even seasoned true-crime documentary aficionados will be left perplexed and very, very uncomfortable by what unfolds in this recently released watch on Netflix. A large part of that has to do with the fact that Sweet Bobby: My Catfish Nightmare feels both relatable and ridiculous at the same time and brings to the fore the dark abyss that is the Internet as well as exposes the shocking depths that human apathy can plunge to.

As is the norm in promoting any product these days, in the run-up to its theatrical release, Longlegs fell back on social media influencers to market it as the ‘scariest film of the year’. A far more interesting promotional campaign, which quickly went viral, included cryptic ads in newspapers, billboards across Los Angeles comprising nothing but a phone number which, when called, had actor Nicolas Cage, who plays the titular character, whisper ‘threats’ to listeners. A true-crime website was specially designed to detail the antecedents of Longlegs’ long list of victims. A modestly budgeted horror film was turned into an event, which made everyone ask: is Longlegs the most terrifying film in recent times?

In this horror comedy movie, Kartik Aaryan returns as Ruhaan or Rooh Baba, a self-proclaimed ghostbuster. We find him swindling people out of their money by claiming to get rid of evil spirits possessing their family members or haunting their houses. However, his pretty profitable career brings him to a new case in which he comes face to face with something he is not prepared to deal with an actual, honest-to-goodness ghost.