Member Reviews

It is a poignant dilemma familiar to most families. When a loved one is on life support, and prolonging it is unaffordable, can you bring yourself to sign the Do Not Resuscitate (DNR) form? For retired librarian Arvind Pathak (Anupam Kher), it is unthinkable. It’s easier for his pragmatic son (Kevin Gandhi) and daughter (Sangeeta Jain) who have their own lives to lead.

Sector 36, based on the gruesome murders of Nithari village in Noida, which were uncovered in 2007, follows a serial killer who lives in plain sight. In Aditya Nimbalkar’s crime drama, Prem (Vikrant Massey) is the house-help of Balbir Bassi (Akash Khurana), an affluent businessman from Karnal. Bassi rarely visits his palatial bungalow in Delhi’s Sector 36, but when he does, his actions are also creepy. Prem, taking advantage of his unsupervised existence, far from his own family that lives in a village, abducts children from the neighbouring migrant settlement, mercilessly killing them to satisfy his deviant appetite.

Young Woman and the Sea is a typical sports drama, like the ones that were made often in Hollywood two to three decades ago. The period drama, directed by Joachim Rønning, follows the real-life story of Trudy Ederle, a young American who set some extraordinary records and inspired a whole generation of women after her.

Everyone in Ullozhukku is stranded, in one way or the other. Even a dead body remains unburied for days, as flood waters have submerged the burial grounds. The less said of the living, the better. Anju (Parvathy Thiruvothu) and her mother-in-law Leelamma (Urvashi) are in a life not of their choosing. One has come to terms with it, tempered by the struggles of family life, and even yearns to protect that way of living, while the other still has some spirit left to fight her way out of it.

Bhuvan Bam’s Vasant Gawde, Mr. Vardaan to the world owing to his ability to see events before they come to pass, is back seeking to make a killing from the prescient news updates that he receives on a mobile phone app. This time around, the Taaza Khabar protagonist is either on the backfoot or, worse still, down on his haunches. His plight necessitates desperate measures as he faces new challenges hurled at him by a man who will stop at nothing. But the show, notwithstanding a series of dramatic confrontations, struggles to skirt around the pitfalls of an idea that is beginning to wear thin.

The opening stretch of Raghu Thathatakes us back to the ‘60s. Even as the opening credits roll, we are shown newspaper clippings of important developments in that period. Anti-Hindi slogans and protests are rampant in Tamil Nadu, a state that is furiously vocal against the imposition of Hindi. Indira Gandhi has taken over as the first woman Prime Minister of the country, something that should ideally given women across the country a lot more confidence and freedom.

Early in Minmini, inside a school during a chilly evening at Ooty, a candle goes off. A student offers to light it up with his candle. “When one candle lights up another, there’s no loss,” someone remarks.