Member Reviews

Dev Ambre, a no-nonsense fiery cop, meets with an accident while nearly cracking a high-profile investigation involving a fellow officer and a dear friend Rohan. After a partial memory loss, he returns to work and is asked to piece together crucial details around the case. He needs to come to terms with himself and his problematic past to find answers. Where does this quest lead him?

Tarini Bandyopadhyay, a widowed elderly Bengali man with a son, has long stints at many publishing houses, but never takes it upon himself to be an author, despite being a gifted communicator and storyteller. After his retirement, he’s hired by an Ahmedabad-based businessman Ratan Garodia, suffering from chronic insomnia, to tell stories in the hope of finding sleep.

After losing his parents in an accident in childhood, Ravi is raised by the Bhatts and has a loving brother in Aditya. He grows up a history enthusiast and bumps into a judge Dixit, who reminds him of his duty as a Shiledar and reveals the mystery behind his parents’ death. Soon implicated in a crime, Ravi embarks on a quest to uncover a hidden treasure.

Radhe Mohan Sharma, a railway ticket checker, stumbles upon a minor discrepancy in his bank account, setting off a chain of events, leading him to uncover a massive financial fraud orchestrated by a powerful banker named Micky Mehta, the founder of Do Bank. While unearthing a billion-dollar scam and facing immense pressure and threats, Radhe does what it takes to expose the truth.

A group of Indian fighter pilots, led by Om Ahuja (Akshay Kumar), is tasked with the destruction of a fleet of modern American F-104 Starfighters at the Sargodha airbase in the 1965 war. Meanwhile, a young pilot T Krishna Vijaya (Veer Pahariya), disobeys orders and ventures into enemy territory to rescue his fellow pilots. Haunted by the disappearance of his protégé, Ahuja embarks on a quest to uncover the truth while facing resistance and bureaucratic hurdles.

Kenneth Fernandes, a recycling artist in Mumbai, and Dia, an aspiring songwriter in Pune are strangers who have never met, yet share identical dreams. While Kenny finds a true friend in an acquaintance Roop, Dia struggles to be herself in a strained relationship with her long-time boyfriend Ishant. The duo’s search for dream partners leads them on a whimsical journey, filled with unexpected encounters and humorous mishaps.

While remakes are commonplace in feature films, the concept of targeting hyper-local markets using already successful material is gaining traction in the OTT space as well. The digital medium has thrived on the idea of ‘overcoming the two-inch barrier’ (subtitles), allowing stories to transcend language barriers. Yet, platforms continue to commission near frame-by-frame adaptations to attract a new set of viewers Over the years, villages have served as backdrops for various genres, ranging from political sagas to dramas, comedies, thrillers, action-packed entertainers, and romances. Amazon Prime Video’s eight-episode series Sivarapalli, a remake of TVF’s hit show Panchayat, takes a middle path, exploring the familiar terrain of rural drama through the perspective of an urban youngster.

Dominic and the Ladies’ Purse is an unlikely Gautham Menon film in a positive sense, from the way it’s visualised, shot and edited. The leisurely yet consistently engaging investigation thriller is built on a juicy premise centred around a lost ladies purse that leads a former cop-turned-detective to a missing couple, a mystery that only gets murkier with time. Even while catering to the star in Mammootty, the film doesn’t lose its way and culminates with a pulpy, edge-of-the-seat finale. Sushmitha Bhatt is a surprise find, with Gokul Suresh, Viji Venkatesh and Vineeth chipping in with impressive performances.

Paradise… is that even a place in this world? As the series by the same name takes you into its labyrinths, you actually realise it isn’t the same earth we are living in right now. Yet, it opens like a regular murder mystery. US President Cal Bradford (James Marsden) has been brutally killed in his own house. Like us, you could end up wondering; why isn’t he living in the White House? Well, well, the mystery begins to deepen at many levels. As Special Agent Xavier Collins discovers his body in the sprawling mansion, things begin to unpeel like layers of onion.

When the lead hero, Shahid Kapoor, talks of the relevance of ‘Deewar’, should we pay attention to the subtext? Indeed, ‘Deva’, like many of Amitabh Bachchan’s films as the angry young man, is about a man seething and bristling from within. His fractured relationship with his father (not seen in the film though) too is an important leitmotif. Clearly, the ‘Deewar’ connect is not restricted to Bachchan’s huge cutout alone. But before we touch base with Deva’s vulnerabilities, Shahid Kapoor in the titular part emerges as a heroic figure. He bashes before he speaks, smokes like a chimney, drinks while on duty; in short, he is the quintessential bad good guy. The Kabir Singh syndrome manifests and persists in this police avatar.