Member Reviews

Santosh which has been making rounds in the top film festivals including Cannes is by the British-Indian director Sandhya Suri. Focusing on the state of rural India through the eyes of a young femal cop, the film is is Suri’s first fiction feature, which can be seen in its rawness and sincerity. The film is led by Shahana Goswami and Sunita Rajwar as cops on the other side of the law, and their performances are unforgettable.

Girls Will Be Girls is helmed by first time feature film director Suchi Talati. It follows the story of a high school top student in a coming of age story. But the story isn’t just about Mira played by Preeti Panigrahi but also about her mom Anila played by Kani Kusruti. Their complex relationship amid Mira’s rebellious romance with NRI boy Sri (Kesav Binoy Kiron), the tense environment in strict school. The film offers a change for millennials to live through some of their most embarrassing and traumatizing memories but also gives a chance to many more in building a better and more nutriting relationship with their mothers.

Aman in red suede pants and jacket walks down a deserted road at night. Another man in a sky blue jacket over a black shirt races across a bridge as gunfire explodes around him. Yet another, in a deep blue shirt knotted at the waist, staggers out of a warehouse and is immediately carried off by a delirious crowd chanting his name.

THE WILD ROBOT is about an all-purpose robot that turns sentient in the wilderness. After washing up on a forest island, Rozzum “Rozz” 7134 learns to feel and discern once it mothers an orphaned goose and befriends a red fox. I’d say it becomes human, but in the context of where we are today, “it grows a heart” is more accurate.

Amal Neerad’s Bougainvillea features an impressive cast, including Kunchacko Boban, Jyothirmay, and Fahadh Faasil; however, the film ultimately flatters to deceive. Faasil is relegated to a tertiary role, likely either to help out his friends or for a fat paycheck – probably the former. Pitched as a psychological thriller, the film becomes exasperating due to its screenplay and overall execution.

The Wild Robot, inspired by Peter Brown’s 2016 novel of the same name, is a film that skillfully balances its emotional elements, resulting in a gratifying experience for both children and adults. While the notion of a robot experiencing emotions is not entirely original, it is the narrative and its execution that truly set this film apart. Achieving the right emotional resonance, whether from a human or a robot, is crucial, and Chris Sanders has struck gold with this film.

Sir is one of those formulaic Tamil movies with a strong cause or message it wants to put across and doesn’t mind doing so at the cost of being a didactic and dated. The style, writing, brevity, and everything that makes up for a superior form take a backseat in Sir as Bose Venkat prefers coming across as an activist to a fine filmmaker. While Sir has a noble cause at its core, the execution makes it a yarnfest, and instead of getting the catharsis such social commentary aims to provide, the film invokes a sense of guilt for feeling so.

Former United States president and presidential candidate Donald Trump went on a rant recently on filmmaker Ali Abbasi’s latest film The Apprentice, which narrates the Republican’s initial years as a real estate giant in New York and his relationship with attorney Roy Cohn. Perhaps, Trump’s reaction stems from information that is fed to him because had he watched the film, he may have only objected to certain aspects of Abbasi’s provocative film and not ranted about it in its entirety.

Paris Has Fallen is the first in the franchise that won’t feature Gerard Butler’s Secret Service agent Mike Banning. The actor will continue on with the character in the films; however, this spinoff series forges its own identity with new protagonists and a deadly plot in this European adventure. With only the first two episodes premiering so far, Paris Has Fallen has set up an interesting scenario in which the villain has had the upper hand; it remains to be seen how and when the ‘fall’ will come.

Created by Bill Lawrence, star Jason Segel and Brett Goldstein, Shrinking focuses on a grieving therapist who decides to change his approach with his patients. Becoming more proactive, he becomes more involved in the lives of those around, both to his detriment and betterment. The second season of Shrinking charms with its loveable, goofball characters and some unexpected new faces.