Member Reviews
No good movie is too long and no bad movie is short enough. Your intellect may be confused, but your emotions will never lie to you.
You can also browse reviews using our alphabetical index of films reviewed
Films reviewed on this Page
Boong (1)
Do Patti (5)
Vicky Vidya Ka Woh Wala Video (1)
Fabulous Lives of Bollywood Wives (1)
Raat Jawaan Hai (1)
The Shameless (1)
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Boong
Keyur Seta
Bollywood Hungama
Fine blend of heart-touching moments and natural humour
Aijaz Khan’s Hamid and Danish Renzu’s Half Widow are the names that easily come to my mind when it comes to movies about husbands going missing. But both the aforementioned films have the backdrop of the political crisis in Kashmir. This is where filmmaker Lakshmipriya Devi’s Manipuri movie Boong stands apart. It is more of a personal story of a boy whose father goes missing not due to any political tensions.
Do Patti
Sanyukta Thakare
Mashable India
Kriti Sanon, Kanika Dhillon Film Sounds Good Only On Paper
Not much to offer
Co produced by Kriti Sanon and Kanika Dhillon the film suffers from lack of consistency possibly from the writing stage. The film aims to spread awareness about women and domestic abuse, it attempts to express the turmoils of abuse trauma, its generational history but fails to do it through out the run time. The film tries hard to be It Suspect X (Jaane Jaan), It Ends With Us, Gone Girl and The Girl In The Train all at once with a crime thriller genre — it ends up being none of them.
All 17 reviews of Do Patti here
Do Patti
Bharathi Pradhan
Lehren.com
Important, Inconvenient Conversations
Is domestic abuse a hush-hush family matter or a crime against society?
Is domestic abuse a hush-hush family matter or a crime against society? Is a judge who goes by the word of law (and evidence) dispensing true justice or is a lawyer who looks at the spirit of the law more inclined towards social good?
All 17 reviews of Do Patti here
Vicky Vidya Ka Woh Wala Video
Anuj Kumar
The Hindu
Rajkummar Rao enlivens this long title with a short shelf life
Promising to be a laugh riot, Raaj Shaandilyaa’s bouquet of comic characters doesn’t bloom to its potential
Coming from a background in writing low-brow comedy skits for television, director Raaj Shaandilyaa has this knack for creating funny characters rooted in mofussil towns that generate mirth by engaging in rollicking repartees. His broad humour emanates from deep observation and understanding of the cultural mores of a conservative society coming to terms with socio-economic liberalisation in the 1990s. However, Shaandilya’s skill to combine the comic sketches into a wholesome screenplay is still a work in progress, resulting in a disappointing outcome.
All 9 reviews of Vicky Vidya Ka Woh Wala Video here
Fabulous Lives of Bollywood Wives
Anmol Jamwal
Tried & Refused Productions (YouTube)
Delusion Pro Max
Do Patti
Saibal Chatterjee
NDTV
Kriti Sanon's Film Needed Much Better Cards To Make A Game Of It
The film is purply dark, a little suspenseful and somewhat twisted.
Identical twins of the kind that we encounter in Hindi popular cinema are always temperamentally polar opposites. The pair in Do Patti, a Netflix film directed by Shashanka Chaturvedi, is no exception - they look the same but are dissimilar in disposition and demeanour. The film, however, deviates from the larger narrative template that governs the genre. Mumbai movies may have stumbled upon a degree of freedom thanks to the advent of the streamers, but old habits die hard. Do Patti, scripted by Kanika Dhillon, has an old trope at its core. It, however, eschews the usual confusion-caused-by-mistaken-identity construct.
All 17 reviews of Do Patti here
Do Patti
Shubhra Gupta
The Indian Express
Shallow Kajol-Kriti Sanon film fails to deliver on its promise
There’s enough in Kriti Sanon-Kajol film for a juicy, substantive drama. But the unpacking turns more into an unravelling, mainly because the writing is shallow, and the characters lack depth.d
‘Do Patti’ comes armed with much promise. It is the first offering of a brand new female-led production house, with producer-actor Kriti and writer Kanika Dhillon having created an interesting ensemble led by Kajol, popular TV actor Shaheer Sheikh, Tanvi Azmi, Brijendra Kala and Vivek Mushran. What’s not to like? Turns out, quite a lot.
All 17 reviews of Do Patti here
Do Patti
Priyanka Roy
The Telegraph
Do Patti has its heart in the right place but is otherwise all over the place.
The growing worry about lack of quality control in the OTT space now has a physical embodiment. Do Patti. A film which may have its heart in the right place but is otherwise all over the place. Do Patti aims to be a sensitive and scathing film on domestic abuse. The other tags it wants to earn for itself are a noir thriller, a police procedural, a film on sibling rivalry, a blistering criticism of privilege and a racy romance laced with sex, lies and videotape (or rather, mobile phone footage). It ends up being neither.
All 17 reviews of Do Patti here
Raat Jawaan Hai
Priyanka Roy
The Telegraph
A breezy watch which scores for being relatable
The millennial attempting to retain individuality and identity, while holding on to old friendships and coping with being a new parent, is a demographic that has hardly, if ever, been represented on the Indian screen. Even if it has been, it has been reduced to a strand or a subplot in a coming-of-age story. The fact that it even goes down this route immediately sets Raat Jawaan Hai apart. That it does it well, making its eight episodes a breezy watch which you want to hold on to and hope it doesn’t end, is a huge feather in its cap. This is a definite clutter-breaker in the Indian streaming space. One which has been long overdue.
All 5 reviews of Raat Jawaan Hai here
The Shameless
Sanyukta Thakare
Mashable India
Cannes Winner Comes With Radical Performances And Bleak Status Of Indian Women
Performances are worth it
The Shameless became highly recognizable after its Cannes 2024 victory. The film’s leading star Anasuya Sengupta made history and became the first Indian actor to win the Best Actress Award at Cannes. The film explores the story of two polar women stuck in the world of prostitution finding hope in each other, but the bleakness and grim reality of the world is always just around the corner to take it away. The film though dramatic and dark has much appreciative theatrical performances with wit of Sengupta’s abrasive character. Devi and Renuka keep the story balanced but the outcome is left for the audience to endure.