Member Reviews

The Apprentice is one of the film that no one asked for but now that its here you can’t look away from it. The direction, cinematography, lighting, sets and most of all the performances all are worth praising but the film majorly avoids taking sides. For first half it makes you like Trump and for the other the pre-existing hate returns, so it doesn’t really add to his public narrative, the reason for its existence left questioning. But the film is worth the watch for its art.

Director Amal Neerad’s latest movie Bougainvillea is a slow-burning thriller that offers more strengths than weaknesses in its entertainment value. Set against the backdrop of an unreliable memory, the film borrows elements from classics like Memento and The Usual Suspects, while crafting a uniquely Malayalam narrative.

DreamWorks Animation turns 30 this year, and its latest presentation, The Wild Robot, is a great example of what the studio gets right. Adapted and directed by Chris Sanders, the animated feature follows the adventures of Rozzum 7134 (voice of Lupita Nyong’o), who discovers a whole new side to herself after she reluctantly adopts a gosling. The family film is filled with humour and meaning, and it teaches you what it means to be kind and love another in need.

The Wild Robot was one of the most anticipated films since its first teaser dropped with the song ‘What a Wonderful World’ and the film has lived up to its hype. Not only does it offer an adorable story for kids to watch but it also comes with heavy context and geological subtext that is enough to keep the adults engaged. The film unexpectedly also offers much humour and some emotional moments but best yet has been the artwork throughout the run time. From birds taking flight and colouring the sky, to the moving leaves that breathe life into the art, the film comes with a great re-watch value ready to turn it into a classic.

Getting an audience to detest a movie villain isn’t difficult. People are cynical; all they want is someone to project their frustrations on. But getting the same viewers to genuinely empathise with the protagonist of your film isn’t as easy as it might seem. It requires them to lower their guards and shed their egos; to allow moments of vulnerability in the presence of absolute strangers. Most of all, it requires them to ignore the objectively lunatic act of developing a connection with a made-up person, as if they are real. But Vasan Bala has cracked the code in Jigra — a film that pulls off this almost impossibly difficult feat by getting you, the viewer, to participate in the grandest act of collective empathy crafted on a Bollywood screen this year.

The film’s story is pretty much what you have seen in the trailer. For those who are uninitiated, here is the plot in brief. Iqlakh (Dev) loses his job, randomly kidnaps a young girl Avantika (Aameya) from her school, and takes her hostage. He demands to get his job back. Maya (Rukmini Maitra) from Kolkata Police comes to negotiate. Even after his company’s maintenance manager (Anirban Bhattacharya) verbally promises to give his job back to him, he demands the owner of the firm Anubrata Adhikari (Paran Bandyopadhyay) to come personally. Meanwhile, in a turn of events, little Aratrika’s mother Ira (Swastika Mukherjee) hunts down Iqlakh’s house and takes hostage of his little boy.

Viswam, directed by Sreenu Vaitla, is a reminder that not everything has changed for the better with mainstream Telugu cinema. In terms of narrative style, character arcs and the plot itself, this Gopichand and Kavya Thapar starrer feels redundant. The film teems with dozen of characters and a handful of sub plots — in the name of offering wholesome entertainment — with action episodes, romance, emotional drama and mindless comedy; it can get tiresome to sit through 155 minutes of an incoherence narrative, even if one does not look for logical reasoning.

A scene in director Abhilash Reddy Kankara’s Telugu film Maa Nanna Superhero (my dad is a superhero) shows the protagonist Johnny (Sudheer Babu) taking his house owner to task and abruptly pausing when the latter’s daughter comes into the picture. He does not want to make the man seem a lesser mortal to his child. The narrative attempts to ride on the universal emotion of children seeing their father as a superhero. Abhilash wonders how far a son would go to save his father, with whom he shares a tumultuous relationship. The plot becomes more complex as it involves a father Srinivas (Sayaji Shinde) and his adopted son Johnny, and later, the biological father also returns. This idea might seem intriguing at the script level, but the film seems uneven and is held together by a few endearing moments.

भारतीय इतिहास में 1999 के कंधार प्लेन हाईजैक की घटना आज भी एक काले अध्याय की तरह याद की जाती है। सारी दुनिया जब नई सदी Y2K के आने के उत्साह में मगन थी, क्रिसमस से एक दिन पहले 24 दिसंबर 1999 को करीब 175 लोगों को लेकर काठमांडू से दिल्ली के लिए रवाना हुए इंडियन एयरलाइंस के हवाई जहाज IC 814 को आतंकियों ने हाईजैक कर लिया। हाईजैकर्स के कब्जे वाला यह प्लेन पहले अमृतसर और फिर लाहौर और दुबई होते हुए कंधार में लैंड हुआ। सात दिन बाद भारतीय जेलों में बंद तीन आतंकियों मौलाना मसूद अजहर, मुश्ताक अहमद जरगर और अहमद उमर सईद शेख को छोड़ने के बदले इन यात्रियों की सुरक्षित घर वापसी करवाई गई। अब इसी घटनाक्रम पर आधारित वेब सीरीज ‘IC 814: द कंधार हाईजैक’ से चर्चित निर्देशक अनुभव सिन्‍हा ने ओटीटी पर दस्तक दी है।

मेंटल हेल्थ हमारे समाज में लंबे समय तक एक टैबू रहा है। हालांकि, अब कुछ साल से इसके बारे में खुलकर बातें होने लगी हैं। विश्व मानसिक स्वास्थ्य दिवस (10 अक्टूबर) पर आई एंथॉलजी सीरीज ‘ज़िंदगीनामा’ इसी मेंटल हेल्थ के प्रति जागरूकता की ओर एक मजबूत कदम है। यह सीरीज 35-40 मिनट की छह कहानियों का गुलदस्ता है, जो ईटिंग डिसऑर्डर, गेमिंग एडिक्शन, सिजोफ्रेनिया, ओसीडी, पीटीएसडी, जेंडर डिस्फोरिया जैसी अलग-अलग मानसिक समस्याओं के प्रति लोगों का ध्यान आकर्षित करती है।