Some movies break your heart when they’re not good. A chunk of filmmaker-activist Sridhar Rangayan’s filmography — which focuses on queer subjects and LGBTQ-themed stories — falls into this category. The chasm between intent and execution is as wide as the chasm between fact and fiction in Hindi historical biopics. Distinguishing between the two is important; criticising the craft of a film is not the same as panning its cause. If social significance alone were a yardstick for meaningful cinema, Rangayan’s latest (co-directed and co-written with Saagar Gupta), Kuch Sapney Apne, would be the Love Actually of the genre. A sequel to his previous feature, Evening Shadows (2018), Kuch Sapney Apne expands its multi-narrative snapshot of an orthodox South Indian family at the crossroads. The conflict is now married to its consequences.