The title of director Dhinakaran Sivalingam’s debut film Bottle Radha makes its intentions clear. It is about alcohol addiction, and it is about Radhamani, who is an alcoholic. While there is no doubt that the movie trains all its focus firmly on Radhamani and his seemingly never-ending tryst with the bottle, some of the best moments of the film comes in the scenes involving his wife Anjalam. This is also due to the fact that Bottle Radha feels like being an anonymous fly during one of the many meetings of Alcoholics Anonymous, and it is the portions involving Anjalam gives the movie a refreshing change of pace. The opening shot of Bottle Radha is a drone shot that captures the expanse of the Chennai city that is not often shown in our films. We see Radhamani creating a ruckus over being admonished for coming drunk to work. Interestingly, the entire opening stretch wonderfully introduces the world of Radhamani, and how despite being around near and dear, the allure of the bottle takes him to unsavoury places. Again, the places he goes to might not seem really dire, but the look on Anjalam’s face when he comes home drunk says a lot more than what pages of dialogues could do. She feels insulted. She feels violated. She feels neglected. She feels distraught. And all that she can do is stand resolutely with tears streaming down her face. But Radhamani doesn’t see any of this because he is blinded by the booze, and when one things leads to another, and he finds himself arrested by the police, Bottle Radha decides to take a different route to tackle the issue of addiction.