Nickel Boys, directed by RaMell Ross, is up for two Oscar awards at the upcoming ceremony on March 2. It deserved a few more nominations, including one for its cinematography that details the alternating perspectives of its teenage lead characters, Elwood and Turner. This tragic story, adapted from the Pulitzer Prize-winning book by Colson Whitehead, hits even harder in this visual format, backed by some exceptional performances. Set in 1960s Florida, the story sees change coming to the US in the form of the civil rights movement and space travel, but in some places it feels like time never changed. Elwood Curtis (Ethan Herisse), a promising young Black teenager with a bright future, is caught in the wrong place at the wrong time. Transferred to the Nickel Academy, a reform school for juvenile delinquents, he learns how cruel the world can really be. Separated from his beloved grandmother (Aunjanue Ellis-Taylor), he makes a friend in Turner (Brandon Wilson), who is desperate to escape from the clutches of the evil wardens.

Suits LA is one of the most eagerly awaited shows of the year, and now that it’s here, one can only wonder why it was commissioned. Well, actually, we know why. But this redux of Suits is a disappointment on every level. Creator Aaron Korsh introduces a new shark-like lawyer with Stephen Amell’s Ted Black, aka the new Harvey Specter. But we all know that the original Suits was a lighting in a bottle. This second spinoff from the same universe does not have the same charm as the original nor does it have the characters required to get invested. The spinoff introduces viewers to hot-shot LA lawyer Ted (Amell), who is on the verge of a big merger with his partner Stuart (Josh McDermitt). Amidst the chaos of all this lies the news that his father (Matt Letscher) is dying back in New York. The premiere episode revolves around our introduction of Ted’s world, his fight to keep his firm and glimpses of his troubled past and shaky relationship with his father. A few generic supporting characters flit in and out.

A line from the Tom Cruise starrer A Few Good Men (1992) would be very apt for Surface Season 2. Maybe Jack Nicholson should have shouted, “You can’t handle the truth,” to some of the characters in the show. The Apple TV+ series starring Gugu Mbatha-Raw revolves around a woman named Sophie trying to figure out her past, present, and future after getting amnesia. This season, Surface moves to England, where buried secrets threaten to take over two families. Sophie (Mbatha-Raw), now going by the name Tess, returns to London, where she tracks individuals who were once close to her, hoping to find out the truth about her past. But as the identities of Sophie and Tess continue to co-mingle, she puts herself and others she comes in contact with in more danger. This involves a journalist named Callum (Gavin Drea) and her estranged husband James (Oliver Jackson-Cohen) as they interact with the secretive but wealthy Huntley family and their heirs Quinn (Phil Dunster) and Eliza (Millie Brady).

The 2024 version of The Count of Monte Cristo, starring Pierre Niney, is a stunning and faithful adaptation of Alexandre Dumas’s 1844 novel about a man who exacts revenge on those who wronged him. Beautifully brought to the screen, the film is one of the most expensive films made in France. This is the kind of film Hollywood has forgotten to tell. Niney’s mesmerising performance as the vengeful Count is the main reason to tune into the film.

Prior to Win or Lose, Pixar Animation Studios’ series have all been spun off from their film franchise. With this new animated series, the studio is branching out into new territory, and it is a delight to see. The eight-episode series created by Carrie Hobson and Michael Yates is laugh out loud funny as it tackles every insecurity felt by various members of a middle school team. Interestingly, each episode is told from the viewpoint of a different character, adding to the mystery of who wins the final game. The first two episodes focus on different members of the Pickles softball team. The premiere episode tells the story from Coach Dan’s (voice of Will Forte) daughter Laurie (voice of Rosie Foss). Insecure about her place in her dad’s life, the child of divorce becomes so anxious she manifests her own ‘sweaty’ devil. The second episode belongs teacher Frank (voice of Josh Thomson) who is also the umpire. Still hung up over his ex Monica (Vyvan Pham), he contemplates getting back into the dating scene.

The new Valentine’s Day comedy, Dhoom Dhaam, covers a lot of ground. It’s an awkward romance about a couple set up via arranged marriage, a thriller about crooked law enforcement officials, and comedy set mostly over one night in Mumbai. Directed by Rishab Seth, the Hindi film has several twists and turns, most of which we can guess. The narrative follows a pretty standard formula of complete opposites thrown together in a relationship; in this case, it’s a quick wedding. Yami Gautam and Pratik Gandhi, playing roles we’ve seen them take on before, still manage to create a substantial chemistry in an entertaining manner.

The Apple TV+ movie, The Gorge, is an unexpected Valentine’s Day release. This, combined with the ongoing saga on Severance Season 2, has the streamer taking an unconventional approach to the day dedicated to romance. Written by Zach Dean, The Gorge is about the horrors hidden in the aforementioned valley, which has two highly trained operatives assigned to protect it. But the story shifts into a forbidden romance between the duo with unexpected results. The film shows how Levi (Miles Teller) and Drasa (Anya Taylor-Joy) are at the top of their games as snipers, even though their approach might be different. They are each chosen for a year-long gig defending a vast gorge, covered by a mysterious fog, in an unknown country. The previous guard, JD (Sope Dirisu), tells Levi as he hands off the post to him that the gorge is the “door to hell, and we’re standing guard at the gate.” So what lies beneath?

Every year around Valentine’s Day, the streamers trot out generic romance films that help you pass the time but don’t leave any impact. Director Mark Waters’s latest film La Dolce Villa, starring Scott Foley and Maia Reficco, is no exception. Set in the gorgeous Italian countryside, the breezy romantic comedy on Netflix will have you booking your next ticket to the country. Former chef turned business consultant Eric (Scott Foley) rushes to Italy after he finds his 24-year-old daughter Olivia (Maia Reficco) is buying a run-down villa for one euro. Determined to stop her, he lands in the fictional Montezara and ends up falling for the town’s mayor, Francesca (Violante Placido). As the father and daughter heal their relationship, they become part of the family in the Montezara as well.

The White Lotus Season 3 returns after two years with a new group of guests that converge at a luxury resort for a getaway. Of course, their stay is eventful as the looming murder of one of the group is hinted at from the start. Mike White’s Emmy Award-winning series moves to Asia for the latest installment as Thailand is the setting for this story. Even though White’s narrative moves along glacially, there is enough to keep viewers intrigued. This year’s guests include a trio of best friends, played by Leslie Bibb, Carrie Coon, and Michelle Monaghan; a rich white family led by actors Jason Isaacs and Parker Posey; and a mismatched couple, both in age and temperament, played by Walter Goggins and Aimee Lou Wood. The only familiar face for viewers is spa worker Belinda (Natasha Rothwell), who was present in the first season. With each day, White shows another facet of their complicated relationships with one another as well as their hopes for the future. But which one of these guests is the fallen victim? Mike White is once again the creative force behind this season, which focuses more on individual characters than on an overall arc. The Western guests’ storylines have more prominence this time. However, the narratives for the Thai staff, security guard Gaitok (Tayme Thapthimthong) and hotel worker Mook (Blackpink’s Lisa), are promising. Lek Patravadi also stands out as resort owner Sritala. However, so far, without giving away too many spoilers, most of the characters are circling around one another, hiding away true motives. It’s the same story structure as previous seasons, like some of the guests being resistant to wellness programs, just in a new aesthetic setting.

We don’t usually see love stories on film or OTT much these days, so our eyes were peeled for Rajshri Production’s Bada Naam Karenge. The ambitious SonyLIV series unfolds like a feature film rather than a series. It’s easy to get invested in the romance between Surbhi (Ayesha Kaduskar) and Rishabh (Ritik Ghanshani) in a story set in Madhya Pradesh. But once we get to the heart of the matter, Bada Naam Karenge becomes jumbled under the weight of so many characters and remains a bit dated. The romance features two families: the wealthy Rathis of Ratlam and the middle-class Guptas of Ujjain. A possible rishta is floated between Rishabh Rathi and Surbhi Gupta. As the families explore their union through an arranged marriage, the audience learns about a hidden secret between the two. Will Rishabh and Surbhi get together, or will the expectations of their families get in the way? The story and screenplay of Bada Naam Karenge has been penned by S Manasvi. Vidit Tripathi has also helped out with the screenplay and co-written the dialogues. Moving to the past and returning to the present, the initial batch of episodes holds promise as the young couple’s story goes from enemies to lovers. Once the large cast of supporting players gets involved, it feels too behind the times. The main conflict between the two families also gets dragged out over the last few episodes, only to be quickly resolved over a big emotional scene.