Bridget Jones Mad About The Boy explores a new chapter in the life of Bridget Jones after the death of Mark Dary. The film doesn’t do well for Renee Zellweger’s character as it continues to progressively not age throughout the series. However, the second half of the film focuses on a typical rom-com setting which works well for the film. It also brings more closure to all subplots and concerns that Bridget and her kids have. The film is as goofy and silly as earlier films in the series were and it is the nostalgia and emotional closure for the audience that keeps the film engaging. The film begins with Bridget going to visit Mark’s friends on his death anniversary. When he thinks about bailing her son reminds her, that it is the one day she leaves the house. At the party, it becomes obvious that even four years after his death she has not been able to move on, nor does she plan to do it. However, her friends demand that she return to work to be able to live a normal, healthy life. After recalling her father’s last wish that ‘she lives and not just survives after the death of her husband’, Bridget begins to take an interest in returning to work.

Directed and co-written by Boman Irani, the film also stars him as one of the leading characters alongside Avinash Tiwary, who plays the role of his son Amay. The Mehta Boys follows the father-son duo exploring the complicated relationship and the underlying care and love in it. The film’s music and direction keeps the experience raw and relatable, however the writing in the second half begins to falter a bit. Nonetheless, the message comes across well, and it is the performances that keeps you going. The film begins with Amay’s journey as an architect who isn’t able to assert himself at his workplace, everyone is seen trying to support his vision and his work. But he often ends up giving into the high authority of his seniors even if he doesn’t agree with him. But things begin to change for him when a meeting in his office is interrupted to inform him that he received a call about his mother’s passing. Without a second thought, Amay leaves for his home.

In a sense the ending in brilliant where the audience ends up judging themselves on the reaction as they were judging each character through out the runtime of the film, but it may not be enough. Directed by Edward Berger of All Quiet On The Western Front, the film is based on a book by Robert Harris released in 2016. The story sets forward a simple premise but stirs up major socio economic discussion in a religious setting. Conclave isn’t about ideology how much to maintain it while also trying to exist in the same world filled with national and economic borders. The film follows Dean Lawrence arriving after the death of the Pope and then tracking his last moments of the day. Early on the film builds suspense around his death but instead of turning into a crime thriller or drama the film explores several plots and subplots at the same time with much fineness. Much of it can be seen through the screenplay while other can be seen in the performance of the actors and through the direction aka Edward Berger’s point of view. He also explores the contradiction in Vatican’s world, the orders it operates on, the way it is perceived and even tries to break down those notions.

The latest Prime Video release is the romantic comedy titled You’re Cordially Invited led by Reese Witherspoon and Will Ferrell. Directed and written by Nicholas Stoller, the film focuses on the story of two supporting characters at two different weddings aka the bride’s sister and another bride’s widowed father. They cross paths at the accidently double-booked wedding venue and the fight for the venue ensues. While the plot seems easy to explore in the comedy genre, the makers did present a new take on the situation. Instead of the fight going on before the wedding proceeds, the arguments go on throughout the wedding and after, taking away the urgency of the incident. The film begins with Will Ferrell’s character finding out that his young daughter is getting married to her boyfriend. While he isn’t exactly happy about it, he agrees because it would mean his daughter moves closer to home. On the other hand, Reese finds out her sister is getting married to her erotic dancer boyfriend. Supportive of the decision and wary of how the family would react, she agrees to look after the wedding planning. Both weddings are accidentally booked at the same resort on a small island for the same weekend.

Directed by Rosshan Andrrews led by Shahid Kapoor, the action thriller brings back the actor in his action avatar. The music and Shahid’s presence keep the movie going for most of its runtime. The writing in the first half is one of the biggest plus points for the first half but the second half falters taking away the film’s impact, but it doesn’t take away from Shahid’s performance. Deva’s silent hero remains a simplistic dialogue that doesn’t force punchlines but lets the actors put their best foot forward. The film begins with Deva revealing that he has found the killer and the case has been solved but before he can share more information he meets with an accident and loses his memory. Upon waking up he finds out he is a cop who was working on a very important case and now he is the only one who can trace back and find the killer.

Sky Force directed by Sandeep Kewlani and Abhishek Anil Kapur is led by Akshay Kumar and introduced a debutante star Veer Pahariya. The film based on real incident follows the story of Air Force officers O.P. Taneja and Ajjamada Boppayya Devayya. The makers have fictionalized the characters for their onscreen portrayal but the almost raw performances are. The film begins in 1971 when a Pakistani pilot attacking on Indian soil is capture. The Group Captain played by Akshay Kumar aka Ahuja meets the pilot to question him about his plans, and Pakistan’s plans to attack India. However, during a very civil interrogation, Ahuja finds out that he is the same pilot who may have attacked his former colleague who has been missing in action for over six years. The film then turns to a flash back in 1965 where Veer’s character is introduced as Vijya his call name Tabby.

Fateh marked Sonu Sood’s directional debut as well as his first all-out lead action role. The film attempts to talk about social issues as well as presents a hero with a bad boy image but has good intentions. With easy and comic dialogues the film does have much to offer to easy-going audience and can be relatable despite the action-heavy extravagant plot. Sonu Sood also gets a chance to show off his charm but his stoic demeanour works for him more. The film kicks off with an action packed scene where Sood walks into a room full of gangsters working for the cyber mafia and takes them down effortlessly. Though the scene is long it does brings one of the best action sequences in the film. Sood looks effortless during the action sequences even when the camera is slow to track the movements. The plot however takes a flashback as Sood is taken down recalling his life and his mission.

The Kangana Ranaut directorial is a fictional account of Indira Gandhi’s personal life experiences as a daughter, wife, politician and a woman of the nation. Led by Kangana in the leading role, the film does take creative liberties but impresses with writing that provides full-circle moments and character-focused direction. It is important to emphasise that the film is not a biopic or documentation of the real political personality but fiction an account of her life. The makers before the film began emphasized the film is based on two books. Emergency begins with Indira’s childhood and how she was inspired by her grandfather’s vision and understanding of Indraprastha, a play in ancient Indian history and its equivalent Delhi in today’s time where a constant struggle remains for power. Since childhood Indira focuses on winning the big battles and the same remains throughout her political career. The film also gives glimpses of her personal life her little interactions with her husband and her children through flashbacks and presently as her career progressed. The first half feels rushed as the story progresses through her political career with only a few incidents in the foreground. From the death of her father, her feeling betrayed by him to taking control of the party.

Jesse Eisenberg’s written and directed Oscar ready film A Real Pain has been released in India. Filled with humour, depths of human experience, trauma and moving on from it, it explores the story of two brothers from different walks of life. Led by Jesse as well as Kieran Culkin, the film is worthy of his international praise for its performances as well as the brilliant yet simple writing of the story and screenplay. A Real Pain begins with two cousins meeting at an airport to head on a trip together. The two, who hardly meet once or twice a year go on a journey together to honour their late grandmother, a survivor of the Holocaust. Billy and David decide to take a tour in Poland, visiting sights of historical significance during World War II and the Holocaust. Along with four others in the group and a tour guide, there is much talk about survivors, generational trauma, the struggle of immigrants and more.

After two successful releases, the series is nowhere close to its end and isn’t bad. Featuring an ensemble cast of Jim Carrey, Keanu Reeves, Idris Elba and many more the film does justice for its young and adult audience. The makers manage to strike an almost balance between entertaining both of its audiences. Unlike many sequels, this one stays true to its core and explores a more chaotic version of Eggman, taking it to the next level. The writing and performances keep the films from falling into the same trap as all other sequels. The makers don’t waste time setting the story or the gap between the films. Just as the family of three aliens and two humans is celebrating Sonic’s Earth Birthday another catastrophe befalls their world. On the other side of their world, another alien is wreaking havoc. A sinister and darker version of Sonic called Shadow has broken out of a 50-year-old prison and is out for revenge. As Sonic, Tails and Knuckles begin to investigate they wonder if they know the full truth.