Lijin Jose’s film Her is an anthology, but it is not strictly one. No clear demarcations exist between the five films in the collection, with one segment segueing smoothly into the next, although the characters and narratives are different. However, only two of the films are directly connected, while the rest have characters from other films popping in at some point to connect it all.

For prying eyes, the most innocuous action might seem suspicious. Priyadarshini (Nazriya Nazim) is the one with a bit of nosy behaviour in the neighbourhood in which Sookshmadarshini is set. At times, she almost behaves like the kind of neighbour that no one would ever wish to have. We get an interesting character detail that she is a microbiology graduate, for whom a Sookshmadarshini (microscope) is a part of her trade. Just that her lens is trained more on her neighbour, rather than microbes.

If there exists a parallel world where losers are guaranteed to find salvation, Girish A.D’s characters would probably be the rulers of that world. Down and out protagonists have been a common factor in all his films till date, be it Thanneer Mathan Dinangal or Super Sharanya or Premalu. His latest outing I Am Kathalan is no different, but just as always, he brings the same underlying theme in a different packaging.

When a gruesome murder happens in broad daylight at the beginning of a film, one expects the murder to be the major event around which everything else will revolve. But Joju George’s Pani really takes off from a smaller fight that Don (Sagar Surya) and Siju (V.P.Junaiz), the two murderers, get involved in at a supermarket later in the day.

Among all the flaws a writer can imagine for their protagonist, an unreliable memory throws up quite a few fascinating possibilities. In Bougainvillea, Reethu (Jyothirmayi) is almost always unsure of anything that happens right in front of her eyes. For a fairly good period, we are also caught in a similar dilemma — as to whether what we are seeing through her eyes is for real; whether she has painted a Sunflower or yet another Bougainvillea.

Everyone in Ullozhukku is stranded, in one way or the other. Even a dead body remains unburied for days, as flood waters have submerged the burial grounds. The less said of the living, the better. Anju (Parvathy Thiruvothu) and her mother-in-law Leelamma (Urvashi) are in a life not of their choosing. One has come to terms with it, tempered by the struggles of family life, and even yearns to protect that way of living, while the other still has some spirit left to fight her way out of it.