A slow-burn thriller with a deep emotional core, an intricately plotted genre exercise, and an acting showcase for two talented young performers, Caddo Lake, on paper, sounds like the complete package. It takes a while to get going, and the first act is particularly testing, but it’s also the kind of film that gets better with every passing minute. In fact, Caddo Lake is at its best towards the end, when it ties all — or, at least two — of its narrative threads together, unleashing an emotional wallop that rivals only the sheer thrill of watching its well-executed twist.

Getting an audience to detest a movie villain isn’t difficult. People are cynical; all they want is someone to project their frustrations on. But getting the same viewers to genuinely empathise with the protagonist of your film isn’t as easy as it might seem. It requires them to lower their guards and shed their egos; to allow moments of vulnerability in the presence of absolute strangers. Most of all, it requires them to ignore the objectively lunatic act of developing a connection with a made-up person, as if they are real. But Vasan Bala has cracked the code in Jigra — a film that pulls off this almost impossibly difficult feat by getting you, the viewer, to participate in the grandest act of collective empathy crafted on a Bollywood screen this year.

Normally, one of the most frustrating things that a movie can do is to abandon its characters and become too consumed by the plot. Our mainstream cinema has always struggled with this, and things have only become worse in the streaming era. It is said that show runners, in particular, can get away with anything on digital platforms as long as there is a murder in the first episode. Well, someone most certainly dies at the end of the first act in CTRL, the new film from Vikramaditya Motwane — his first feature since AK vs AK in 2020.

You’d think that the world was a less paranoid place five years ago, when the collective trauma of the pandemic hadn’t clobbered us on the head with a comically large mallet. But remember when governments were put on high alert before the release of a comic book movie about a murderous clown? Prepared for the riots that the supposedly incendiary film might incite, teams of police were stationed outside certain screenings of Todd Phillips’ Joker — a movie that was viewed by alarmists as a sort of dog whistle for basement-dwelling incels.