Recent Reviews by Gopinath Rajendran
The Hindu
Gopinath Rajendran is an entertainment journalist and a film critic with over 7 years of experience. He is currently with The Hindu, Chennai and has previously worked with The New Indian Express.
Films reviewed on this Page
Amaran
Sivakarthikeyan and Sai Pallavi march into our hearts with this soul-stirring action film
A pacy screenplay, marvellous performances and excellent technical prowess make ‘Amaran’ a brilliant ode to the resilient families who love their braveheartsamaran-3
“When the guns roar, the arts die,” said celebrated playwright Arthur Miller. Many art masterpieces have been swallowed up by wars but art, like the ever-forgiving land that has caused countless battles, has withstood it all. It has been the blank canvas to paint everything from propaganda films to anti-war movies. While many of them resort to skewed agendas, director Rajkumar Periasamy takes the road less travelled with Amaran, and along with producer Kamal Haasan and powerhouse performances from Sivakarthikeyan and Sai Pallavi, the filmmaker delivers an evocative biopic of Major Mukund Varadarajan.
Read all 6 reviews of Amaran here
Meiyazhagan
Karthi and Arvind Swami shoulder this spirited bromance drama
‘96’ filmmaker C. Prem Kumar gives us a thoughtful character study brought to life by some brilliant performances, and it’s a treat to watch the relationship between Arvind Swami and Karthi’s characters blossom into something gorgeous
While most filmmakers focus on the bigger aspects of their story to substantiate the so-called big-screen experience, C Prem Kumar belongs to a niche group of directors who like to concentrate on the finer, intimate moments of life. Probably because of his time spent behind the viewfinder as a cinematographer, Prem’s scenes look like animated still photographs, and just like his directorial debut 96, his sophomore outing Meiyazhagan is a series of moments in motion.
Hitler
Vijay Antony’s revenge drama is outdated and ordinary
The haphazardly-written ‘Hitler’ lacks the gripping social narrative or the emotional beats of director Dana SA’s previous films, and ends up as an underwhelming vigilante saga
Vijay Antony is on a spree with his recent films. While his contemporaries rarely churn out a couple of releases each year, the music director-turned-actor starred in four films last year and his latest release Hitler marks his third outing of 2024. But given how almost all of them turned out to be underwhelming, it feels like he’s shooting for quantity over quality, and Hitler, unfortunately, is the latest addition to that list.